While I do believe in God, I do not believe in the same way as others, so I would prefer not to swear on the Bible. Being sworn in at his son's murder trial

Hollywood is run by Jews. It is owned by Jews, and they should have a greater sensitivity about the issue of people who are suffering because they've exploited [them]. We have seen the Nigger and Greaseball. We've seen the Chink. We've seen the slit-eyed dangerous Jap. We have seen the wily Filipino. We've seen everything, but we never saw the Kike, because they knew perfectly well that is where you draw the wagons around.

Regret is useless in life. It's in the past. All we have is now.

I'm one of those people who believes that if I'm very good in this life I'll go to France when I die.

I went home and did some rehearsing to satisfy my curiosity about whether I could play an Italian. I put on some makeup, stuffed Kleenex in my cheeks, and worked out the characterization first in front of a mirror, then on a television monitor. After working on it, I decided I could create a characterization that would support the story. The people at Paramount saw the footage and liked it, and that's how I became the Godfather.

It seems to me hilarious that our government put the face of Elvis Presley on a postage stamp after he died from an overdose of drugs. His fans don't mention that because they don't want to give up their myths. They ignore the fact that he was a drug addict and claim he invented rock 'n' roll when in fact he took it from black culture; they had been singing that way for years before he came along, copied them and became a star.

If there's anything unsettling to the stomach, it's watching actors on television talk about their personal lives.

I don't think it's the nature of any man to be monogamous. Men are propelled by genetically ordained impulses over which they have no control to distribute their seed

I suppose the story of my life is a search for love, but more than that, I have been looking for a way to repair myself from the damages I suffered early on and to define my obligation, if I had any, to myself and my species.

When they laid down their arms, we murdered them. We lied to them. We cheated them out of their lands. We starved them into signing fraudulent agreements that we called treaties which we never kept. We turned them into beggars on a continent that gave life for as long as life can remember. And by any interpretation of history, however twisted, we did not do right. We were not lawful nor were we just in what we did. For them, we do not have to restore these people, we do not have to live up to some agreements, because it is given to us by virtue of our power to attack the rights of others, to take their property, to take their lives when they are trying to defend their land and liberty, and to make their virtues a crime and our own vices virtues. Speech for the Academy Awards protesting the treatment of American Indians, written by Brando

An actor's a guy, who if you ain't talking about him, ain't listening.

Kowalski was always right, and never afraid. He never wondered, he never doubted. His ego was very secure. And he had the kind of brutal agressiveness that I hate. I'm afraid of it. I detest the character.

Acting is an empty and useless profession.

That's a part of the sickness in America, that you have to think in terms of who wins, who loses, who's good, who's bad, who's best, who's worst . . . I don't like to think that way. Everybody has their own value in different ways, and I don't like to think who's the best at this. I mean, what's the point of it? On the Academy Awards, to Connie Chung after his Best Supporting Actor nomination for A Dry White Season (1989)

It is a simple fact that all of us use the techniques of acting to achieve whatever ends we seek.... Acting serves as the quintessential social lubricant and a device for protecting our interests and gaining advantage in every aspect of life.

A movie that I was in, called On the Waterfront (1954): there was a scene in a taxicab, where I turn to my brother, who's come to turn me over to the gangsters, and I lament to him that he never looked after me, he never gave me a chance, that I could have been a contender, I coulda been somebody, instead of a bum ... "You should of looked out after me, Charley." It was very moving. And people often spoke about that, "Oh, my God, what a wonderful scene, Marlon, blah blah blah blah blah." It wasn't wonderful at all. The situation was wonderful. Everybody feels like he could have been a contender, he could have been somebody, everybody feels as though he's partly bum, some part of him. He is not fulfilled and he could have done better, he could have been better. Everybody feels a sense of loss about something. So that was what touched people. It wasn't the scene itself. There are other scenes where you'll find actors being expert, but since the audience can't clearly identify with them, they just pass unnoticed. Wonderful scenes never get mentioned, only those scenes that affect people.

The Beatles are now nobody in particular. Once they set screaming crowds running after them, they ran in fear of their lives, they had special tunnels for them. They can walk almost anyplace now. Because the fantasy is gone.

Elvis Presley - bloated, over the hill, adolescent entertainer, suddenly drawing people into Las Vegas - had nothing to do with excellence, just myth. It's convenient for people to believe that something is wonderful, therefore they're wonderful.

I have eyes like those of a dead pig.

I don't mind that I'm fat. You still get the same money.

I always enjoyed watching John Wayne, but it never occurred to me until I spoke with Indians how corrosive and damaging and destructive his movies were - most Hollywood movies were.

To grasp the full significance of life is the actor's duty, to interpret it is his problem, and to express it his dedication.

When I lie on the beach there naked, which I do sometimes, and I feel the wind coming over me and I see the stars up above and I am looking into this very deep, indescribable night, it is something that escapes my vocabulary to describe.

Chaplin you got to go with. Chaplin is a man whose talents is such that you have to gamble. First off, comedy is his backyard. He's a genius, a cinematic genius. A comedic talent without peer.

I put on an act sometimes, and people think I'm insensitive. Really, it's like a kind of armour because I'm too sensitive. If there are two hundred people in a room and one of them doesn't like me, I've got to get out.